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Análise do Conto: “Three Pictures”de Virginia Woolf
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The imagination supplied other pictures springing from that first one, a picture of the sailor cutting firewood, drawing water; and they talked about China; and the girl set his present on the chimney–piece where everyone who came could see it; and she sewed at her baby clothes, and all the doors and windows were open into the garden so that the birds were flittering and the bees humming, and Rogers—that was his name—could not say how much to his liking all this was after the China seas. As he smoked his pipe, with his foot in the garden.
THE SECOND PICTURE
In the middle of the night a loud cry rang through the village. Then there was a sound of something scuffling; and then dead silence. All that could be seen out of the window was the branch of lilac tree hanging motionless and ponderous across the road. It was a hot still night. There was no moon. The cry made everything seem ominous. Who had cried? Why had she cried? It was a woman’s voice, made by some extremity of feeling almost sexless, almost expressionless. It was as if human nature had cried out against some iniquity, some inexpressible horror. There was dead silence. The stars shone perfectly steadily. The fields lay still.
The trees…
THE SECOND PICTURE
In the middle of the night a loud cry rang through the village. Then there was a sound of something scuffling; and then dead silence. All that could be seen out of the window was the branch of lilac tree hanging motionless and ponderous across the road. It was a hot still night. There was no moon. The cry made everything seem ominous. Who had cried? Why had she cried? It was a woman’s voice, made by some extremity of feeling almost sexless, almost expressionless. It was as if human nature had cried out against some iniquity, some inexpressible horror. There was dead silence. The stars shone perfectly steadily. The fields lay still.
The trees…
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